“You follow me with desire, with enthusiasm?”

“As if you were leaving for ever, never more to return?”

After the Pardon — Part 20

“As if I were going to love and to death, Marco.”

After the Pardon — Part 20

“But I am not going to leave you to-day. I can’t leave you. I am frightened that you may not come. I am frightened that I may lose you, Maria.”

After the Pardon — Part 20

“Just as we fled the first time, then,” she murmured, in a mysterious, dreamy ecstasy.

And the old times reappeared to them, just as the voices reappeared, just as the words reappeared; time was annulled, and everything was as at first. They asked nothing of their souls, of their hearts, since the looks, the voices, and the gestures were _as at first_; in the unrestrained tumult of resumed passion their souls and their hearts kept silence, in their profound, singular, and obscure silence.

Venice, who has consecrated and exalted in her soft and persuasive arms a thousand powerful loveknots, placed the wonderful peace of her mortal beauty round the grand flame of Maria Guasco and Marco Fiore; the silent caress of her glimmering lights, and the tenderness of her melancholy. The amorous fluid that thousands of lovers gathered wherever they lived, wherever they moved in Venice--that amorous fluid that emanates from her quiet waters, from the balconies of her palaces, from the veiled voices of those who sing in flowering gardens on quiet side canals, that emanates from the gloomy colour of her gondolas, from the whiteness of the marble which the water has left intact or obscured, which emanates from every lineament of the place and from every tint of the sky, enveloped Marco Fiore and Maria Guasco, and multiplied their flame into a precipitous tumult of their lives.

Their love had something mysterious, powerful, and troublous in that ardent renewal, which engulfed them as in a whirlwind. They seemed blind and deaf to every other aspect and every other sound of life which was not their amorous delirium. If no idyllic sweetness, if no sentimental tenderness brightened the passing of the days, the fever which caused them to palpitate, which singularly always gave them fresh fire, had aspects unknown to many, unknown even to themselves. A veil was over their eyes when they turned them away from the adored person; and the vision of Venice, where their days were slipping away, was like a dream around them, was like a scene unknown, appearing and vanishing just as in a dream. Never had Maria Guasco, whose beauty consisted above all in a lively, tender, and proud expression of countenance, never had she carried so clearly and openly those signs of amorous happiness which cause envy and regret to those who have never been in love, or who no longer love. Never, too, had Marco Fiore experienced a greater passion, or a larger sense of subjugation to a creature beloved.