In May, 1873, Emerson returned to Concord. His friends and fellow-citizens received him with every token of affection and reverence. A set of signals was arranged to announce his arrival. Carriages were in readiness for him and his family, a band greeted him with music, and passing under a triumphal arch, he was driven to his renewed old home amidst the welcomes and the blessings of his loving and admiring friends and neighbors.

Publication of "Parnassus."--Emerson Nominated as Candidate for the Office of Lord Rector of Glasgow University.--Publication of "Letters and Social Aims." Contents: Poetry and Imagination.--Social Aims.--Eloquence.--Resources.--The Comic.--Quotation and Originality.--Progress of Culture.--Persian Poetry.--Inspiration.-- Greatness.--Immortality.--Address at the Unveiling of the Statue of "The Minute-Man" at Concord.--Publication of Collected Poems.

Ralph Waldo Emerson — Part 140

In December, 1874, Emerson published "Parnassus," a Collection of Poems by British and American authors. Many readers may like to see his subdivisions and arrangement of the pieces he has brought together. They are as follows: "Nature."--"Human Life."--"Intellectual." --"Contemplation."--"Moral and Religious."--"Heroic."--"Personal." --"Pictures."--"Narrative Poems and Ballads."--"Songs."--"Dirges and Pathetic Poems."--"Comic and Humorous."--"Poetry of Terror."--"Oracles and Counsels."

Ralph Waldo Emerson — Part 140

I have borrowed so sparingly from the rich mine of Mr. George Willis Cooke's "Ralph Waldo Emerson, His Life, Writings, and Philosophy," that I am pleased to pay him the respectful tribute of taking a leaf from his excellent work.

Ralph Waldo Emerson — Part 140

"was the result of his habit, pursued for many years, of copying into his commonplace book any poem which specially pleased him. Many of these favorites had been read to illustrate his lectures on the English poets. The book has no worthless selections, almost everything it contains bearing the stamp of genius and worth. Yet Emerson's personality is seen in its many intellectual and serious poems, and in the small number of its purely religious selections. With two or three exceptions he copies none of those devotional poems which have attracted devout souls.--His poetical sympathies are shown in the fact that one third of the selections are from the seventeenth century. Shakespeare is drawn on more largely than any other, no less than eighty-eight selections being made from him. The names of George Herbert, Herrick, Ben Jonson, and Milton frequently appear. Wordsworth appears forty-three times, and stands next to Shakespeare; while Burns, Byron, Scott, Tennyson, and Chaucer make up the list of favorites. Many little known pieces are included, and some whose merit is other than poetical.--This selection of poems is eminently that of a poet of keen intellectual tastes. I not popular in character, omitting many public favorites, and introducing very much which can never be acceptable to the general reader. The Preface is full of interest for its comments on many of the poems and poets appearing in these selections."