Anyhow, the upshot is that Mr. Dallas takes to spending considerable of his spare time at a studio up-town where the two young ladies works, getting pointers and so on. One evening--I should say, one afternoon--he telephones down to the apartment for me to bring one of his heavy overcoats up there to him because, what with late fall-time being here now, the weather has turned off sort of cold; and that's how befalls that I gets my look at the insides of one of these here studio places, which I must say, alongside of the one I seen, a crazy-house is plumb rational and abounding in restfulness.

From the outsides it looks to be like something suitable for a tobacco stemmery or maybe a skating-rink, but once I gets past the watchman on the outer door--_Who-ee!_ That's all--_Who-ee!_ I stops close by the door and for a spell I watches what's going on and I thinks to myself that whilst there may be a-plenty of money in the moving-picture business, and doubtless is, the bulk of it is liable to stay in it permanent. Never before in my whole life has I seen so many folks letting on like they was fixing for to transact something important and then not doing it. If they was all on piece-work they couldn't earn enough to pay for half-soling the shoes which they wears out running about getting in one another's way. But as I understands it, they mainly is hired by the day and not by the job, and my heart certainly goes out in sympathetical feelings for the man, whoever he may be, that's footing the bills at the end of the week. If I was him I'd charge general admittance for the public to come in and witness these here carryings-on, and thereby get some part of my wastage back.

J. Poindexter, Colored — Part 43

Almost the first thing which distracts my attention is a pestered-looking man with a pair of these here high leather leggings on, like he was fixing to go horse-back riding but in his frenzy has mislaid the horse; which he is full of authority and dashing to and fro with a big megaphone in one hand and in the other a bunch of wadded-up paper with writing on it. He appears to be in sole charge; and if hollowing loud was worth fifty cents a hollow he'd be a millionaire inside of a month if his voice didn't give out on him. I finds out a little later that he's what they calls the director. Well, he certainly does directicate.

J. Poindexter, Colored — Part 43