simulacraque cerea fingit, et miserum tenuis in iecur urget acus.

For the Greek use of waxen images I may refer to Plato, who in the _Laws_ (933 B) speaks of the alarm felt by men ἄν ποτε ἄρα ἴδωρί που κήρινα μιμήματα πεπλασμένα, and for other instances to O. Kehr, _Quaest. Mag. Spec._ 12 f. In Theocritus the wax which is spoken of, καρόν, is not indeed described as an image, but it doubtless was; and the mention of it may serve as an excuse for remarking that, though the details into which magic is worked out by different peoples vary considerably, and though the applications which different peoples make of it are far from uniform, still amongst all peoples there are two matters with which magic always, without exception, deals--Love and Death. Thus far it is with the latter that I have dealt. I now, for the moment, turn to the former, and I propose to indicate briefly that the magical methods of procuring Love are precisely the same as those for procuring Death. The power which is used for the one end is equally potent for the other.

Anthropology and the Classics — Part 53

For Death-magic, as we have seen, it is essential that the person working magic should believe that he has the power, and that others also should believe him to have it; and all that is necessary is that the magician should put forth the power that he possesses; and this he does by means of words and gesture-language. So too in Love-magic, in the Torres Straits, the essential thing is that the young man should anoint himself on the temples with a paste made from certain plants, and ‘think as intently as possible about the girl’ (_Expedition to Torres Straits_, vi. 221), saying to himself, ‘You come! you come! you come!’ for, Mr. Haddon tells us, ‘the power of words and the projection of the will were greatly believed in by the natives’ (220); and when a young man performed the foregoing operations, at a dance or any meeting at which women would be present, ‘the girl could not resist, but was bound to go with him’ (221). In Rome there was the same belief in the power of words: Virgil, in _Eclogue_ viii, imitates Theocritus, but deviates in details, and one such deviation shows the Roman’s belief in the power of words, of the _carmen_. Whereas Theocritus says:

Anthropology and the Classics — Part 53