<b>PELLEGRINO, ITALA.</b> Born at Milan, 1865. Pupil of Battaglia. Her pictures are of genre and marine subjects. At the great exhibition at Turin, 1884, she exhibited a marine view which was bought by Prince Amadeo. Another marine view exhibited at Milan was acquired by the Società Promotrice. In 1888 she sent to the exhibition at Naples, where she resides, a view of Portici, which was added to the Royal Gallery. The excellence of her work is in the strength and certainty of touch and the sincerity and originality of composition. She has painted a "Marine View of Naples," "In the Gulf," "Fair Weather," and "Evening at Sea"; also a genre picture, "Frusta là," which was sold while in an exhibition in Rome.

<b>PENICKE, CLARA.</b> Born at Berlin in 1818, where she died in 1899. She studied first with Remy and later with Carl Begas and Edward Magnus. Her work was largely confined to portrait and historical painting. In the Gallery at Schwerin is her "Elector Frederick of Saxony Refusing to Accept the Interim." Another good example of her historical work is the "Reconciliation of Charlemagne with Thassilo of Bavaria." A well-known and strongly modelled portrait of Minister Von Stoach and several Luther portraits, "Luther's Family Devotion" and "Luther Finds the First Latin Bible," show her facility in this branch of art. She also painted a "Christ on the Cross."

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. — Part 192

<b>PERELLI, LIDA.</b> A landscape painter living in Milan, who has become well known by pictures that have been seen at the exhibitions in several Italian cities, especially through some Roman studies that appeared at Florence and Turin in 1884. "A View of Lecco, Lake Como," "Casolare," and "A Lombard Plain" are among her best works.

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. — Part 192

<b>PERMAN, LOUISE E.</b> Born at Birkenshaw, Renfrewshire. Studied in Glasgow. This artist paints roses, and roses only, in oils. In this art she has been very successful. She has exhibited at the Royal Academy and the New Gallery, London; at the Royal Scottish Academy, Glasgow; at art exhibits in Munich, Dresden, Berlin, Prague, Hanover, etc., and wherever her works have been seen they have been sold. In May, 1903, a collection of twenty-five rose pictures were exhibited by a prominent dealer, and but few were left in his hands.

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. — Part 192