Tunisian culture is a product of more than three thousand years of history and an important multi-ethnic influx. Ancient Tunisia was a major civilization crossing through history; different cultures, civilizations and multiple successive dynasties contributed to the culture of the country over centuries with varying degrees of influence. Among these cultures were the Carthaginian – their native civilization, Roman (Roman Africans), Vandal, Jewish, Christian, Arab, Islamic, Turkish, and French, in addition to native Amazigh. This unique mixture of cultures made Tunisia, with its strategic geographical location in the Mediterranean, the core of several civilizations of Mare Nostrum.
The history of Tunisia reveals this rich past where different successive Mediterranean cultures had a strong presence. After the Carthaginian Republic, the Roman Empire came and left a lasting effect on the land with various monuments and cities such the El-Jem Amphitheater and the archaeological site of the ancient city of Carthage, which is classified as a World Heritage Site, one of seven found in Tunisia.
After a few centuries of the presence of Christianity, represented by the Church of Africa, the Arab Islamic conquest transformed the whole country and founded a new city called Al-Qayrawan, a renowned center for religious and intellectual pursuits.
With the annexation of Tunisia by the Ottoman Empire, the center of power shifted from Tunis to Istanbul. This shift in power allowed the local government of the new Ottoman Province to gain more independence, which was maintained until the institution of the French Protectorate (which was later seen as occupation). The protectorate introduced elements of French culture.
The important elements of Tunisian culture are diverse and represent a unique, mixed heritage. This heritage can be experienced first-hand in museums such as the Bardo, city architecture such as Sidi Bou Said or the medina of Tunis, cuisine such as French cheeses and croissants, music reflecting Ottoman influences, and other areas of Tunisian culture.
Cultural diversity
The Encyclopédie 360 describes Tunisia as a country that "did not develop truly original art" but is "strongly marked by various influences and is engrained with monuments which illustrate the various stages of its history ". In his thesis study on Cultural Policy in Tunisia, Rafik Said has mused that, "this relatively small area has produced estates, overlapping of cultures, and a confrontation of morals and doctrines throughout its history. Janice Rhodes Deledalle has referred to Tunisia as "cosmopolitan" and has said that "Tunisia cannot be considered in the category of as other colonies", because of the diversity of cultures embedded in Tunisia's heritage throughout the ages.
Tunisia's cultural life dates to prehistoric times, as illustrated by dolmens near Bou Salem and rock carvings of the Tunisian Sahara. The Hermaïon of El Guettar, discovered near the city of El Guettar in the south, is the oldest extant religious display discovered.
The dawning era of Tunisian cultural history was shaped by Carthaginian influences including Phoenician, Greek. There is much evidence of Phoenician and western artwork and glass work found in Punic tombs, notably in masks which the Phoenician used to drive out evil spirits or demons of death with their decorations, such as the lotus motifs found on many objects or in the artistic design buildings. The paintings and sculptures of the lids of sarcophagi from the necropolis of Carthage and El Alia, the architecture of the mausoleum of Dougga are characterized by the combined influence of Greece and Egypt. In addition, we find a trace of Hellenic influences overlapping Roman and Punic culture. In sculpture found in Tunisia, there has been a distinct, almost symbolic evolution towards a style which is a representative, idealized perfection of a body, state, etc. Greek pottery is also emulated, and it is a fact that potters from Greece were employed to produce objects in Carthage.