Lindsay (Lord). Sketches of the History of Christian Art, vol. ii.

Berenson (Bernhard). Central Italian Painters. (Putnam, London and New York, 1899.)

The Pavement Masters of Siena (1369-1562) — Part 4

Symonds (John Addington). Introduction to the Study of Dante. (A. and C. Black, London, 1893.)

The Pavement Masters of Siena (1369-1562) — Part 4

Norton (Charles E.). Church Building in the Middle Ages. (Harpers, New York, 1880.)

The Pavement Masters of Siena (1369-1562) — Part 4

Encyclopædia Britannica. (1880), _Hermes Trismegistus: Sibyls_.

-------------------------------------+------------------------------+-----------+-----------------+--------------------------- | | Date the | Numbers | The various designs on the | Notes. | work was | corresponding | Names of the Artists. pavement arranged in their | | executed. | to those on the | chronological order. | | | plan (p. 15). | -------------------------------------+------------------------------+-----------+-----------------+--------------------------- | Of these eight artists’ | 1369 | | (1). Antonio di Brunaccio. | work on the Pavement, | 1370 | | (2). Sano di Marco. | no recognizable trace | ” | | (3). Francesco di Ser | now remains. | | | Antonio. | | 1376 | | (4). Matteo di Bartolo. | | 1380 | | (5). Nanni di Corsino. | | 1398 | | (6). Sano di Maestro | | | | Matteo. | | ” | | (7). Luca di Cecco. | | 1405 | | (8). Cecco di Giovanni. | | | | Fortune’s Wheel revolving with | | | | figures of men clinging to it. In | | | | the four corners of the picture are | | | | half-length portraits of Euripides, | | | | Seneca, Epictetus, and Aristotle. | | | | (Milanesi. _Documenti._ Vol. i., | | | | p. 177.) | | 1372 | 37 | | | | | The Arms of the Cities allied and | | | | friendly to Siena. (_Ditto._) | | 1373 | 34 | | | | | A Wheel, in the middle of which | | | | is the Imperial Eagle | | 1373(?) | 35 | | | | | | The Parable of the Mote and the | | | | Beam | | 1374–5 | 38 | | | | | Temperance | The frieze of zig-zags | 1380 | 17 | Prudence | and spikes which frames | ” | 18 | Christian Piety | the five figures Nos. 17–21, | 1406 | 19 | Justice | also dates from 1406. | ” | 20 | Fortitude. (_Mil. Doc._, vol. i., | | ” | 21 | (9). Marchesse d’Adamo p. 177) | | | | and the Comacene Masters | | | | in stone. | | | | King David the Psalmist. (_Siena | | | | (10). Domenico di Niccolo e il suo Territorio_, p. 205.) | | 1423 | 53 | del Coro. Goliath the Giant. (Ditto.) | | ” | 54 | ” The Young David with his Sling | The frieze inclosing | | | (Ditto.) | all these designs, together | ” | 55 | ” Judas Maccabeus | with No. 24, was inlaid | 1424 | 15 | ” Joshua and the King of the Amorites. | by (11) Agostino di Niccolo, | | | Ditto.) | and (12) Bastiano | 1426 | 22 | (13) Paolo di Martino. Samson. (Ditto.) | di Corso da Firenze, and | ” | 14 | ” Moses. (Ditto.) | completed in 1423. | ” | 16 | ” Joshua. (Ditto.) | | ” | 23 | ” | | | | A man, giving alms to a woman, | | | | carrying a child | | 1433 | 39 | Domenico di Niccolo | | | | del Coro. | | | | The Emperor Sigismund enthroned. | | | | Designed by (14) Domenico (_Mil. Doc._, vol. ii., p. 261.) | | 1434 | 13 | di Bartolo da | | | | Asciano. Executed by The Story of Absalom. (_Siena e | | | | (15) Giacomo d’Antonio. il suo Territorio._) | | 1447 | 12 | Designed by (16) Pietro | | | | del Minella. | | | | Solomon | | ” | 24 | | | | | The Parable of the Pharisee and | These three designs | | | the Publican | are in the doorways of | 1448 | 57 | A Jar, labelled _Fel_ (Gall) | the principal façade. | ” | 58 | A similar Jar, labelled _Mel_ | | | | (Honey) | | ” | 59 | | | | | Three designs before doors of | | | | Designed by (17) Nastagio Baptistery. (The Birth, Baptism, | | | | di Guasparre and and Reception of an Infant | | | | executed by (18) Bartolomeo Christian.) | | 1450 | | di Mariano, called | | | | _Il Mandriano_, and (21) | | | | Antonio Federighi. | | | | Design before the Porta del Perdono | | | | Designed by (19) Guasparre (Consecration of the | | | | d’Agostino and Duomo by Pope Alexander III. | | | | executed by (20) Corso [Bandinelli] in 1174.) | Now destroyed. | 1451 | | di Bastiano. | | | | The two Blind men. (_Mil. Doc._, | | | | Executed, after his own vol. ii., p. 437.) | | 1459 | 40 | design, by Antonio | | | | Federighi. | | | | | | | | The Relief of Bethulia by Judith. | The frieze of Reels | 1473 | 25 | Designed by (22) Urbano | around this design was | | | da Cortona(?) or by | executed by the said Urbano, | | | (23) Matteo di Giovanni | (24) Giovanni di | | | Bartoli.(?) Executed by | Maestro Stefano, (25) | | | Antonio Federighi. | Bartolommeo di Domenico | | | | Calabrone, and (26) | | | | Francesco di Bartolomeo. | | | | | | | The Seven Ages of Man | Around it is a frieze of | 1475 | 6 | Executed by Antonio | stags, by the same artist. | | | Federighi. | | | | The Massacre of the Innocents.