"Father! father!" she cried, "why do you leave me? Where are you going?" And to her husband she cried: "Oh my heart, my heart, come back to me!"
But they gave no heed to her. The old man moved away, noiseless, on feet of air--always turning backward that icy, malignant gaze--and the young man followed, staring fixedly, helplessly upon him, with the same dumb and frozen wrath upon his own countenance.
And so, as if they had been spirits, they passed noiselessly on and on, disappearing in the pale night and the snow, until all that Ewayeá could see in the quarter where they had vanished was the crescent of the sinking moon, like an uplifted, crooked finger, beckoning some one to follow.
Ewayeá hoped that they would come back. At first she wanted to go after them, but when she tried to move she could not: her limbs were as weak and cold as snow, and invisible arms were thrown around her, holding her back. There was nothing for her to do but to wait. When the spring came again she was always waiting and watching. She stayed every day in the same place, looking out and expecting her father and her lover to return; but still they came not. At last she ceased to speak: she sat there motionless and voiceless on the ground, ever longing for them, but afraid to stir, for fear that they would come back and not find her. The years passed, and her children grew up and departed, carrying with them the spells and charms they had learned. Yes; they went away and forgot their mother, who sat there so patiently. But she never once called to them, and only waited--waited--waited. They say she is still waiting in that spot. Summer after summer has blossomed above her, and the new leaves have started and rustled with surprise as they caught sight of her, and have whispered one another all day long about the strangeness of her silent presence. The slow autumns, one after another, have wreathed her brow with weird, unnatural flame; and the snows of many, many winters have crept around her feet and drifted higher until they almost buried her. But she cares nothing for all these changes; does not even turn her head one way or the other, but simply gazes straight forward, expectantly, just as she used to when she went to the top of the little hill looking eastward. In summer, again, come the butterflies and softly touch her cheek with sympathetic wings, as they hover around; the humming-birds flash and tremble near her lips, as if expecting to find honey there; and other birds look curiously with their bright eyes into hers that make no answer, while the squirrels that chatter on the boughs near by, and nibble nuts, seem to wonder that she does not ask to share their food. Still, she gives heed to nothing. She crouches low, and her weary head has drooped; and the leaves and dust have fallen thick upon her from the underbrush that has sprung up so rankly about her; so that sometimes you might think she was not a woman at all, but only a mound of earth. Yet she is not dead. No! The rains and winds, of course, have worn away the expression from her face, until it looks dull and sad and lifeless; but, for all that, she is not dead. Her arms and knees must have grown very tired in the long vigil she has been keeping, and one would suppose they would have crumbled into earth before now. But, you see, the wild vines have reached out from the surrounding trees to support her; and they have encircled her lovingly, lending their strength, that she may not fail of her purpose.