For all they of Muscovy, and all Englishmen maken him gifts, and he keepeth the gifts, and he keepeth his own counsel. For his lond lieth between Ynde and the folk of Muscovy, wherefore both Englishmen and men of Muscovy would fain have him friendly, yea, and independent. Wherefore they of both parties give him clocks, and watches, and stars, and crosses, and culverins, and now and again they let cut the throats of his men some deal, and pill his country. Thereby they both set up their rest that the Emir will be independent, yea, and friendly. But his men love him not, neither love they the English, nor the Muscovy folk, for they are worshippers of Mahound, and endure not Christian men. And they love not them that cut their throats, and burn their country.

Now they of Muscovy ben Devyls, and they ben subtle for to make a thing seme otherwise than it is, for to deceive mankind. Wherefore Englishmen putten no trust in them of Muscovy, save only the Englishmen clept Radicals, for they make as if they loved these Develes, out of the fear and dread of war wherein they go, and would be slaves sooner than fight. But the folk of Ynde know not what shall befall, nor whether they of Muscovy will take the Lond, or Englishmen shall keep it, so that their hearts may not enduren for drede. And methinks that soon shall Englishmen and Muscovy folk put their bodies in adventure, and war one with another, and all for the way to Ynde.

Letters to Dead Authors — Part 37

But St. George for Englond, I say, and so enough; and may the Seyntes hele thee, Sir John, of thy Gowtes Artetykes, that thee tormenten. But to thy Boke I list not to give no credence.

Letters to Dead Authors — Part 37

SIR,—There are moments when the wheels of life, even of such a life as yours, run slow, and when mistrust and doubt overshadow even the most intrepid disposition. In such a moment, towards the ending of your days, you said to your son, M. Alexandre Dumas, “I seem to see myself set on a pedestal which trembles as if it were founded on the sands.” These sands, your uncounted volumes, are all of gold, and make a foundation more solid than the rock. As well might the singer of Odysseus, or the authors of the “Arabian Nights,” or the first inventors of the stories of Boccaccio, believe that their works were perishable (their names, indeed, have perished), as the creator of “Les Trois Mousquetaires” alarm himself with the thought that the world could ever forget Alexandre Dumas.

Letters to Dead Authors — Part 37