"The position of an actress," says a clever French theatrical critic, in a pamphlet already quoted, "is a very singular one, even in these days, when prejudice is supposed to have disappeared. She is a mark for applause and adulation, for gold and flowers; she is intoxicated with incense and persecuted by lovers; the gravest personages enact follies for her sake; men unharness her horses, and carry her in triumph; the crowns refused to great poets are thrown to her in profusion; the homage that would be servile, done to a queen, seems quite natural when offered to a prima donna. Only, she must not cross the row of lamps which flame at her feet like a magic circle. From the ivory or golden throne of her lyric empire she may demand what she pleases; but let her attempt to overstep the limit, to take her place in the drawing-room by the side of one of those ladies who applaud her to the bursting of their white gloves, and who pluck the bouquets from their bosoms to throw to her, and what a change is there! How haughty now the mien of those who so lately admired! What chilling reserve; what insulting politeness; what a deep and sudden line of demarcation! A polar breeze has succeeded to the warm breath of enthusiasm; frost has replaced flowers; the idol is no longer even a woman, but a _creature_.

"Some of those singers who are adored amongst the most celebrated and beautiful, imagine that they go into society, because, on certain nights, when camelias deck the staircases and lustres sparkle to the wax-lights, when a crowd throngs the saloons and obstructs the entrance, they are allowed to present themselves, between eleven and twelve o'clock, at everybody's hour, at the hour of uncared-for acquaintances and friends one does not know. But, on their appearance, how quickly is the music-book opened, how speedily are they manœuvred towards the piano or singing desk, how pitilessly is every possible note extracted from these fine singers! If by chance, instead of _roulades_, they venture upon conversation, and aspire to enjoy the pleasures of elegant and polite society, how quickly comes the cloud on the brow of the fair hostess! How evident is it that, in admitting the singer, she excludes the woman! Let the best received presume to have a cold, and she will soon see!

Blackwood's Edinburgh Magazine, Vol. 67, No. 416, June 1850 — Part 70