Had not I a right to expect thus much, or at least justice? And if you thought me competent to do what I have done, why should you not be guided by my counsels? Did I not tell you and reiterate in my writing and verbally that Rivafinoli was not to be trusted? That he was a daring, but imprudently daring, adventurer, whose failures in London, and in Mecico and Carolina were the sure forerunners of his failure in New York? And when deceived by him, whom did you take in place of him? PORTO! SACCHI! With what means? What talents? What judgment? What experience? What chances of a happy issue? Would you know why they wished it? I will tell you, with Juvenal--'Greculus esuriens si in coelum jusseris ibit.' But ignorant pretenders mostly have more influence than modest truth. You, gentlemen of the committee, gave the theater to them because, not having anything to lose, they could yield to everything, even to the promising of what they knew themselves unable to perform.

One of them it is said still has some hopes from you. Before another disgrace occurs I beg you to look at the effects. Nemo dat quod non habet. I brought a company from Italy by the mere force of my word. And why was this? Because they knew me for an honorable man, who would not promise what he could not perform, who had been eleven years the poet of the Emperor Joseph 2d, who for another equal space of time had been the poet to the theater in London, who had written thirty-six operas for Salieri, for Martini, for Storace and Mozzart (sic).

Chapters of Opera — Part 28

That these dramas still survive, you yourself have seen and thought its author not worthy of your esteem. For God's sake let the past become a beacon light to save you from the perils of the future. Do not destroy the most splendid ornament of your city. Rocco is obliged to visit Italy. Lease to him the theater, he will have for his advisers the talented and estimable Bagioli and myself. For me I wish for nothing, but it pains me to see spoiled by ignorance and imposture, and vanity that which cost me so much, or to speak more correctly, which cost me everything, and you so much, and it will cost you more in fame as well as in money.

Chapters of Opera — Part 28

What will they say, the Trollops and the Halls and Hamiltons who nodum in scripto quoerunt with the microscope of national aversion? Rocco and he only can redeem the fortunes of your disorganized, betrayed, dishonored establishment by giving you a new and meritorious company. Listen then to him and assist him--you will lose nothing by it; I pledge you the word of an old man whose lips have never uttered an untruth. Your servant and fellow citizen, Lorenzo Da Ponte

Chapters of Opera — Part 28