In the history before us, which is probably only one of many which circulated concerning the mischievous friar, he obtains admission into a convent for the purpose of debauching its inmates. Having received employment as under-cook, he soon finds means to throw his master into a cauldron of boiling water, and pretending that the cook's death resulted from an accident, he obtains the chief position in the kitchen himself. He then provides the convent with such delicious food that the monks give themselves up entirely to material enjoyment, and finally reach a condition of degeneracy from which recovery is almost impossible. Rush, however, is exposed in time to prevent absolute ruin, and sets out to make up for this failure by good service elsewhere. The story is described on the title-page as "being full of pleasant mirth and delight for young people."

The tales of the yeomanry were very popular during the sixteenth century, and were sold as penny chapbooks for many years. They form an interesting link in the history of English prose fiction, representing as they do the first appearance of a popular demand for prose stories, and the first appearance, except in Chaucer, of other than military or clerical heroes. They possess an element of reality which separates the chivalric ideal of the Middle Ages from the pastoral-chivalric ideal of Elizabeth's time, the latter typified by Sidney's "Arcadia." The tales relating to the conjurers are quite mediæval in character. They are of interest only so far as they serve to illustrate the effect of popular superstition upon the literature of the time.

A History of English Prose Fiction — Part 30

The New Learning, growing up in the place of war and theology, meant the dawn of material prosperity, of the rule of law, and of a new intelligence diffused through the opinions and industries of men. Of this there is no better exposition than Sir Thomas More's "Utopia." More was a devout Catholic. He wore a hair shirt next his skin; he flogged himself; he gave his life for a theological principle. But he was also a Christian in a wider sense. He appreciated the importance to men of peace and happiness, as well as of orthodoxy. He sought to promote, what the clergy sought to destroy, the benefits of intellectual and material advancement. More was a lawyer, seeing clearly into the temper of his time, and discerning the new tendencies which were forming the opinions and influencing the actions of his countrymen. It was as a lawyer, too, that he was able to do this. As a soldier, or as the inmate of that Carthusian cell his youth had longed for, he would have shared the prevailing blindness. For many centuries all intellectual activity had been occupied with theological disputes,--how barren it is needless to say; all physical activity had been occupied in destroying or in protecting life. "There were indeed," says Buckle,[35] "many priests and many warriors, many sermons and many battles. But, on the other hand, there was neither trade, nor commerce, nor manufactures; there was no science, no literature; the useful arts were entirely unknown; and even the highest ranks of society were unacquainted, not only with the most ordinary comforts, but with the commonest decencies of civilized life." But the New Learning dealt with secular subjects, and aimed at material welfare. At Antwerp, says More:

A History of English Prose Fiction — Part 30