He stood chuckling to himself as he waited for an answer to his knock. The door stood open. The artist could not have escaped him if his fears had been justified. This pleased his humour, especially as he anticipated the pleasure of bringing relief to him.

Mrs. Ivimey did not respond to his summons, and as he was preparing to knock again, a door on the left of the little passage opened and the artist came out to him.

Sir Harry — Part 92

"I'm afraid Mrs. Ivimey is out at the back somewhere," he said. "Shall I go and call her for you?"

Sir Harry — Part 92

"Thanks, it's you I've come to see, if you're Mr. Bastian," said Mr. Wilbraham. "I'm tutor to young Sir Harry Brent at the Castle. We heard you were here, and as we don't get many visitors at Royd I came to look you up."

Sir Harry — Part 92

Bastian's face changed. "That's very kind of you," he said. "Do come in."

He led the way into the little sitting-room, and Wilbraham followed him with the feeling that his visit had justified itself.

Bastian was a tall thin man with a shock of untidy grey hair, but a curiously young face. His eyes were very light blue. He had a half-whimsical, half-appealing look, as if he was in a constant state of amusement at himself and was begging not to be taken too seriously. The upper part of his face was firmly and delicately modelled, but his mouth was indeterminate and his chin weak. He was atrociously dressed, in an old discoloured suit of light grey flannel, and a pair of stained canvas shoes, and he wore no collar; but he did not apologize for his appearance. Wilbraham judged him to be about forty-five, but discovered later that he was three or four years younger.

Mrs. Ivimey's parlour was furnished with the customary mixture of old good things and bad new ones. A few canvases stood with their faces against the wall, and a half-finished picture of a flaming sunset over the moor and the sea was propped on the mantelpiece. Wilbraham threw a glance at it as he entered, but could not make up his mind whether it was going to be a good picture or an exceptionally bad one. There were some books on the round table in the middle of the room, as well as some of the untidy paraphernalia of an artist. On a smaller table in the window was a bottle of whisky, a glass and a jug of water, and by the side of the table was a shabby but comfortable looking easy chair, upon which was a book face downwards. The room was full of the odour of strong tobacco.