The name of Haiti will always stimulate us to revere the memory of men who have stamped their names on the scroll of time, for not only did that island strike the first effective blow for the liberation of the black slave, but, having accomplished this purpose, the Haitians aided in the liberation of all America from the yoke of Europe. The service rendered by President Petion to Simon Bolivar in making possible the freedom and independence of South America is splendidly shown in the granite and bronze monument which adorns the square in Caracas dedicated to the memory of the ablest Haitian president by the people of Venezuela.
Music found expression in the vibrating chord tempered with the dull thumping of drums in their characteristic rhythm which could be heard for miles during the night and in the peculiar songs and chants of the Negroes. To the white man who could not understand their customs it was barbaric and rude and was treated with indifference and at times with contempt. But it has been shown by Mrs. Kemble, who was a keen observer during her residence in Georgia, that the Negro songs had merit and that there was something mystic which could not easily open itself--its peculiar musical charm--to the white man. This music and chants were common to every part of America where the sons of Africa had been carried by the slave hunters, and even to this day musical instruments, peculiar to the original tribes, are extant in many of the islands beyond the seas.
During the evening slave seances took place when the master thought everything was silent and calm, because the field work had been satisfactorily performed and the harvest had been gathered and there was a profit which would carry him to Europe to squander it in riotous living. But at night, like the firefly, the Negro was recreated and refreshed in song his soul, and dreamed of a future freedom from the involuntary thraldom of which he was a victim.
The story tellers gathered a motley crowd around them and the hours of eventide were spent in instructive recitals of the Uncle Remus, Brer Rabbit and other folk-lore stories, the heritage of African minds. These stories are known in every vale and dale of joy and tears in America; they have soothed the hours of toil and consoled the broken-hearted. "They have been called the traditional literature of Africa. Some of the Uncle Remus stories would form no bad addition to the fairy stories of the world. But the race of old mammies or nurses who used to tell them to delighted youthful audiences is fast passing away"--in fact, have passed away--and we are satisfied, not knowing any better, to read them in the modern reconstructed form as given by Joel Chandler Harris and other poor imitators who have won fame and honor in the field of literature without incurring the onerous charge of imitation. Bosman refers to the Old Mammy or Anancy stories in his work on Africa, and it is said that in Accra "there are men who have a repertoire almost as copious as the Arabian Nights, and to which Europeans listen with curiosity and wonder, if not with admiration." Richard Burton was a great man and a distinguished writer, who agrees with Koelle, who says, "I was amongst them in their native land, on the soil which the feet of their fathers have trod, and heard them deliver in their own native tongue stirring extempore speeches, adorned with beautiful imagery, of half an hour or an hour's duration; or when I was writing from their dictation, sometimes two hours in succession, without having to correct a word or alter a construction in twenty or thirty pages; or when in Sierre Leone I attended examinations of the sons of liberated slaves (from America) in algebra, geometry, Latin, Greek, Hebrew, etc.--then, I confess, any other idea never entered my mind but that I had to do with _real men_". (Wit and Wisdom from West Africa.")