Following the _Elegies_ in _1633_ come a group of letters, epicedes, and religious poems, just as in _H49_, _Lec_ (_D_ re-groups them)--_The Storme_, _The Calme_, _To Sir Henry Wotton_, ('Sir, more than kisses'), _The Crosse_, _Elegie on the Lady Marckham_, _Elegie on Mris Boulstred_ ('Death I recant'), _To Sr Henry Goodyere_, _To Mr. Rowland Woodward_, _To Sr Henry Wootton_ ('Here's no more newes'), _To the Countesse of Bedford_ ('Reason is our Soules left hand'), _To the Countesse of Bedford_ ('Madam, you have refin'd'), _To Sr Edward Herbert, at Julyers_. Here _1633_ diverges. Having got into letters to noble and other people the editor was anxious to continue them, and accordingly from another source (which I shall discuss later) he prints a long series of letters to the Countess of Bedford, the Countess of Huntingdon, Mr. T. W., and other more intimate friends (they are 'thou', the Countesses 'you'), and Mrs. Herbert. He perhaps returns to _D_, _H49_, _Lec_ in those to _The Lady Carey and Mrs. Essex Riche, from Amyens_, and _To the Countesse of Salisbury_; and, as in that manuscript, the Palatine and Essex epithalamia (to which, however, _1633_ adds that written at Lincoln's Inn) are followed immediately by the long _Obsequies to Lord Harrington_. Three odd _Elegies_ follow, two of which (_The Autumnall_ and _The Picture_, 'Image of her') occur in _D_, _H49_, _Lec_ in the same detached fashion. Other manuscripts include them among the numbered _Elegies_. _The Elegie on Prince Henry_, _Psalme 137_ (probably not by Donne), _Resurrection, imperfect_, _An hymne to the Saints, and to Marquesse Hamilton_, _An Epitaph upon Shakespeare_ (certainly not by Donne), _Sapho to Philaenis_, follow in _1633_--a queerly consorted lot. The _Elegie on Prince Henry_ is taken from the _Lachrymae Lachrymarum_ of Joshua Sylvester (1612); the rest were possibly taken from some small commonplace-book. This would account for the doubtful poems, the only doubtful poems in _1633_. These past, the close connexion with our manuscript is resumed. _The Annuntiation_ is followed, as in _H49_, _Lec_, by _The Litanie_. Thereafter the lyrical pieces begin, as in these manuscripts, with the song, 'Send home my long strayd eyes to me.' This is followed by two pieces which are not in _D_, _H49_, _Lec_,--the impressive, difficult, and in manuscripts comparatively rare _Nocturnall upon S. Lucies day_, and the much commoner _Witchcraft by a picture_. Thereafter the poems follow piece by piece the order in _D_, _H49_, _Lec_[18] until _The Curse_ is reached.[19] Then, in what seems to have been the editor's or printer's regular method of proceeding in this edition, he laid aside the manuscript from which he was printing the _Songs and Sonets_ to take up another piece of work that had come to hand, viz. _An Anatomie of the World_ with _A Funerall Elegie_ and _Of the Progresse of the Soule_, which he prints from the edition of 1625. Without apparent rhyme or reason these long poems are packed in between _The Curse_ and _The Extasie_. With the latter poem _1633_ resumes the songs and (with the exception of _The Undertaking_) follows the order in _Lec_ to _The Dampe_, with which the series in the manuscripts closes. It has been noted that in _Lec_, _The Prohibition_ (which in _D_, _H49_ follows _Breake of day_ and precedes _The Anniversarie_) is omitted. This must have been the case in the manuscript used for _1633_, for it is omitted at this place and though printed later was probably not derived from this source.