It must have been that that was daily, and little by little, pressing down her eyelids and deepening the quivering lines of her impenetrable face. She had a certain solitary grandeur, the pathos attaching to the last of a race, of a type; the air of waiting for the deluge, of listening for an inevitable sound--the sound of oncoming waters.

It was weird, the time that I spent in that house--more than weird--deadening. It had an extraordinary effect on me--an effect that my "sister," perhaps, had carefully calculated. She made pretensions of that sort later on; said that she had been breaking me in to perform my allotted task in the bringing on of the inevitable.

The Inheritors — Part 85

I have nowhere come across such an intense solitude as there was there, a solitude that threw one so absolutely upon one's self and into one's self. I used to sit working in one of those tall, panelled rooms, very high up in the air. I was writing at the series of articles for the _Bi-Monthly_, for Polehampton. I was to get the atmosphere of Paris, you remember. It was rather extraordinary, that process. Up there I seemed to be as much isolated from Paris as if I had been in--well, in Hampton Court. It was almost impossible to write; I had things to think about: preoccupations, jealousies. It was true I had a living to make, but that seemed to have lost its engrossingness as a pursuit, or at least to have suspended it.

The Inheritors — Part 85

The panels of the room seemed to act as a sounding-board, the belly of an immense 'cello. There were never any noises in the house, only whispers coming from an immense distance--as when one drops stones down an unfathomable well and hears ages afterward the faint sound of disturbed waters. When I look back at that time I figure myself as forever sitting with uplifted pen, waiting for a word that would not come, and that I did not much care about getting. The panels of the room would creak sympathetically to the opening of the entrance-door of the house, the faintest of creaks; people would cross the immense hall to the room in which they plotted; would cross leisurely, with laughter and rustling of garments that after a long time reached my ears in whispers. Then I should have an access of mad jealousy. I wanted to be part of her life, but I could not stand that Salon of suspicious conspirators. What could I do there? Stand and look at them, conscious that they all dropped their voices instinctively when I came near them?

The Inheritors — Part 85