The sunlight, reflected from the golden tassels and ornamentation of the tents, threw a flaming menace over the valley, and the peasants in subdued tones talked of the sudden coming of the dreaded foeman. _Mère de Dieu_! what did it portend! _Ventre Saint Gris_! were they going to storm the fortresses of the king? Was an army following this formidable retinue of nobles, soldiers and servants?

Above, on the mount, as the sun climbed toward the meridian, was seated in one of the largest of the tents a man of resolute and stern mien who gazed reflectively toward the fertile plain outstretching in the distance. His grizzled hair told of the after-prime of life; he was simply, even plainly, dressed, although his garments were of fine material, and from his neck hung a heavy chain of gold. His doublet lacked the prolonged and grotesque peak, and was less puffed, slashed and banded than the coat worn by those gallants of the day who looked to Italy for the latest extravagances of fashion. His hat, lying carelessly on the table at his elbow, was devoid of aigrette, jewels or plume; a head-covering for the campaign rather than the court. Within reach of his hand stood a heavy golden goblet of massive German workmanship, the solid character of which contrasted with the drinking vessels after Cellini's patterns affected by Francis. This he raised to his lips, drank deeply, replaced the goblet on the table, and said as much to himself as to those around him:

Under the Rose — Part 171

"A fair land, this of our brother! Small wonder he likes to play the host, even to his enemies. We may conquer him on the ensanguined field, but he conquers us--or Henry of England!--on a field of cloth of gold!"

Under the Rose — Part 171

"But for your Majesty to put yourself in the king's power?" ventured a courtier, who wore a begemmed torsade and a cloak of Genoa velvet.

Under the Rose — Part 171

The monarch leaned back in his great chair and his face grew harsh. As he sat there musing, his virility and iron figure gave him rather the appearance of the soldier than the emperor. This impression his surroundings further emphasized, for the walls of the tent were covered, not with the gorgeous-colored Gobelins of the pleasure-loving French, but with severe and stately tapestries from his native Flanders, depicting in somber shades various scenes of martial triumph. When he raised his head he cast a look of ominous displeasure upon the last speaker.