To return to our subject. Each of our cities in founding colonies in the region round it, has become the mother of cities similar to itself, in which its own peculiar colour has been multiplied in different tints which reflect and render it more beautiful. It is thus with us that nations are formed whose differences no longer correspond to geographical accidents but to the diversity of the social aptitudes of human nature and of nothing else. Nay, more, in each of them the division of cities is founded on that of schools, the most flourishing of which, at any given moment, raises its particular town to the rank of capital, thanks to the all-powerful favour of the public.
The beginnings and devolution of power, questions which have so deeply agitated humanity of yore, arise with us in the most natural way in the world. There is always amid the crowd of our genius, a superior genius who is hailed as such by the almost unanimous acclamation of his pupils at first, and next of his comrades. A man is judged in fact by his peers and according to his productions, not by the incompetent or according to his electoral exploits. In the light of the intimate sense of corporate life which binds and cements us one to another, the elevation of such a dictator to the supreme magistracy has nothing humiliating about it for the pride of the senators who have elected him, and who are the chiefs of all the leading schools they themselves have created. The elector who is a pupil, the elector who is an intelligent and sympathetic admirer identifies himself with the object of his choice. Now it is the particular characteristic of a "Geniocratic" Republic to be based on admiration, not on envy, on sympathy, and not on dislike--on enlightenment, not on illusion.
Nothing is more delightful than a tour through our domains. Our towns, which are quite close to one another are severally connected by broad roads which are always illuminated and dotted with light and graceful monocycles, with trains without smoke or whistle, with pretty electric carriages which glide silently along, like gondolas between walls covered with admirable bas-reliefs, with charming inscriptions, with immortal fancies, the outpourings and accumulations of ten generations of wandering artists. Similarly one might have seen in the olden times the scanty remains of some convent where, in the course of ages the monks had translated their weariness of spirit into grinning figures, with hooded heads, into beasts from the Apocalypse, clumsily sculptured on the capitals of the little pilasters or around the stone chair of the Abbot. But what a distance lies between this monkish nightmare and this artistic revelation! At the very most the pretty little gallery which joined across the Arno, the museum of the Pitti Palace, with that of the Uffizi at Florence, could give our ancestors a faint idea of what we see.