A culture war is a cultural conflict between different social groups struggle to impose their own virtues, beliefs, and practices over society. The notion of "war" is a metaphor for how to how social groups holding entrenched values and ideologies build adversarial narratives around "hot button" topics on which there is general societal disagreement and polarization over politics, public policy or consumption issues. Culture wars often delve around wedge issues, often based on values, morality, and lifestyle which often lead to political cleavage.
Etymology
The term culture war is a loan translation from German Kulturkampf ('culture struggle'), referring to a historical event.
Kulturkampf
Research
Criticism and evaluation
Since the time that James Davison Hunter first applied the concept of culture wars to American life, the idea has been subject to questions about whether "culture wars" names a real phenomenon, and if so, whether the phenomenon it describes is a cause of, or merely a result of, membership in groups like political parties and religions. Culture wars have also been subject to the criticism of being artificial, imposed, or asymmetric conflicts, rather than a result of authentic differences between cultures.
Researchers have differed about the scientific validity of the notion of culture war. Some claim it does not describe real behavior, or that it describes only the behavior of a small political elite. Others claim culture war is real and widespread, and even that it is fundamental to explaining Americans' political behavior and beliefs.
A 2023 study on the circulation of conspiracy theories on social media noted that disinformation actors insert polarizing claims in culture wars by taking one side or the other, thus making the adherents circulate and parrot disinformation as a rhetorical ammunition against their perceived opponents.
Political scientist Alan Wolfe participated in a series of scholarly debates in the 1990s and 2000s against Hunter, claiming that Hunter's concept of culture wars did not accurately describe the opinions or behavior of Americans, which Wolfe claimed were more united than polarized.
A meta-analysis of opinion data from 1992 to 2012 published in the American Political Science Review concluded that, in contrast to a common belief that political party and religious membership shape opinion on culture war topics, instead opinions on culture war topics lead people to revise their political party and religious orientations. The researchers view culture war attitudes as "foundational elements in the political and religious belief systems of ordinary citizens."
Artificiality or asymmetry
Some writers and scholars have said that culture wars are created or perpetuated by political special interest groups, by reactionary social movements, by party dynamics, or by electoral politics as a whole. These authors view culture war not as an unavoidable result of widespread cultural differences, but as a technique used to create in-groups and out-groups for a political purpose.
Political commentator E. J. Dionne has written that culture war is an electoral technique to exploit differences and grievances, remarking that the real cultural division is "between those who want to have a culture war and those who don't."
Sociologist Scott Melzer says that culture wars are created by conservative, reactive organizations and movements. Members of these movements possess a "sense of victimization at the hands of a liberal culture run amok. In their eyes, immigrants, gays, women, the poor, and other groups are (undeservedly) granted special rights and privileges." Melzer writes about the example of the National Rifle Association of America, which he says intentionally created a culture war in order to unite conservative groups, particularly groups of white men, against a common perceived threat.
Similarly, religion scholar Susan B. Ridgely has written that culture wars were made possible by Focus on the Family. This organization produced conservative Christian "alternative news" that began to bifurcate American media consumption, promoting a particular "traditional family" archetype to one part of the population, particularly conservative religious women. Ridgely says that this tradition was depicted as under liberal attack, seeming to necessitate a culture war to defend the tradition.