The _Athenæum_, the _Saturday Review_, and other kindred "weeklies," often indulge in Slang words when force of expression or a little humour is desired, or when the various writers wish to say something which is better said in Slang, or so-called vulgar speech, than in the authorized language. Bartlett, the compiler of the _Dictionary of Americanisms_, continually cites the _Athenæum_ as using Slang and vulgar expressions; but the magazine the American refers to is not the literary journal of the present day,--it was a smaller, and now defunct, "weekly." The present possessor of the classic title is, though, by no means behindhand in its devotion to colloquialisms. Many other highly respectable journals often use Slang words and phrases. The _Times_ (or, in Slang, the "Thunderer") frequently employs unauthorized terms; and, following a "leader"[54] of the purest and most eloquent composition, may sometimes be seen another "article"[54] on a totally different subject, containing, perhaps, a score or more of exceedingly questionable words. Among the words and phrases which may be included under the head of Literary Slang are, "balaam," matter kept constantly in type about monstrous productions of nature, to fill up spaces in newspapers; "balaam-box," the term given in _Blackwood_ to the repository for rejected articles; and "slate," to pelt with abuse, or "cut up" in a review. "He's the fellow to slate a piece" is often said of dramatic critics, especially of those who through youth, inexperience, and the process of unnatural selection which causes them to be critics, imagine that to abuse all that is above their comprehension is to properly exercise the critical faculty. This is, however, dangerous ground. The Slang names given to newspapers are curious;--thus, the _Morning Advertiser_ is known as the "Tap-tub," the "'Tizer," and was until recently the "Gin and Gospel Gazette." The _Morning Post_ has obtained the suggestive sobriquet of "Jeames;" whilst the _Morning Herald_ was long caricatured as "Mrs. Harris," and the _Standard_ as "Mrs. Gamp."[55]
The _Stage_, of course, has its Slang--"both before and behind the curtain," as a journalist remarks. The stage-manager is familiarly termed "daddy;" and an actor by profession, or a "professional," is called a "pro." It is amusing at times to hear a young actor--who struts about padded with copies of all newspapers that have mentioned his name--talking, in a mixed company, of the stage as _the_ profession. This is after all but natural, for to him "all the world's a stage." A man who is occasionally hired at a trifling remuneration to come upon the stage as one of a crowd, or when a number of actors are wanted to give effect, is named a "supe,"--an abbreviation of "supernumerary." A "surf" is a third-rate actor, who frequently pursues another calling; and the band, or orchestra between the pit and the stage, is generally spoken of as the "menagerie." A "ben" is a benefit; and "sal" is the Slang abbreviation of "salary." Should no money be forthcoming on the Saturday night, it is said that the "ghost doesn't walk;" or else the statement goes abroad that there is "no treasury," as though the coffers themselves had departed. The travelling or provincial theatricals, who perform in any large room that can be rented in a country village, are called "barn-stormers." A "length" is forty-two lines of any dramatic composition; and a "run" is the continuous term of a piece's performance. A "saddle" is the additional charge made by a manager to an actor or actress upon his or her benefit night. To "mug up" is to paint one's face, or arrange the person, to represent a particular character; to "corpse," or to "stick," is to balk, or put the other actors out in their parts by forgetting yours. A performance is spoken of as either a "gooser" or a "screamer," should it be a failure or a great success;--if the latter, it is not infrequently termed a "hit." To "goose" a performance is to hiss it; and continued "goosing" generally ends, or did end before managers refused to accept the verdict of audiences, in the play or the players being "damned." To "star it" is to perform as the centre of attraction, with your name in large type, and none but subordinates and indifferent actors in the same performance. The expressive term "clap-trap," high-sounding nonsense, is nothing but an ancient theatrical term, and signified a "trap" to catch a "clap" by way of applause. "Up amongst the 'gods,'" refers to being among the spectators in the gallery,--termed in French Slang "paradis."