[Sidenote: I.2. State of Literature in the time of Charlemagne.]
It is observable that both antient and modern civilizers of nations, have called music to their aid; among these we may mention Charlemagne. In his residence at Rome, he was delighted with the Gregorian chant. After his return to Germany, he endeavoured to introduce it, both into his French and German dominions. The former had a chant of their own; they called it an improvement, but other nations considered it a corruption of the Gregorian. Greatly against the wish of Charlemagne, his Gallic subjects persisted in their attachment to their national music; the merit of it was gravely debated before the Emperor; they vehemently urged the superiority of their own strains. "Tell me," said the Emperor, "which is purer, the fountain or the rivulet?" They answered, "the former." "Return ye, then," (said the Emperor) "to St. Gregory: he is the fountain, the rivulets are evidently corrupted." The Emperor was obeyed, and the Gregorian chant was taught, both in France and Germany, by Italian choristers. The Italian writers of the times describe the difficulties which they experienced in forming the rough and almost untuneable voices of their French and German pupils to the softness of the Gregorian song. They appear to have succeeded better with the Germans than the French. By these, their lessons were so soon and so completely forgotten, after the decease of Charlemagne, that Lewis the Debonnaire, his son, was obliged to request Pope Gregory IV. to send him from Rome, a new supply of singers to instruct the people.
But music continued to prosper in Germany; it abounded in songs. Some were amatory, (_münnelier_); some were satirical, (_cantica in malitiam_); some heroic, (_cantica in honorem,_); some diabolical, (_cantica diabolica_.) These consisted of incantations, and of narratives of the feats of evil spirits.
Vernacular poetry, and vernacular composition, of every kind, were almost wholly left to the vulgar; all, who aimed at literary eminence, wrote in the Latin language. Some discerning spirits became sensible that the German language was susceptible of great improvement, and excited their countrymen to its cultivation. Among these was Otfroid; he translated the Gospel into German verse. He describes, in strong terms, the difficulties which he had to encounter: "The barbarousness of the German language is," he says, "so great, and its sounds are so incoherent and strange, that it is very difficult to subject them to the rules of grammar, to represent them by syllables, or to find in the alphabet letters which correspond to them." It is however remarkable, that, although he complains of the dissonance of the German language, he never accuses it of poverty.