A year since, as I was smoking my cigar in the “Estaminet du Grand Balcon,” an excellent smoking-shop, where the tobacco is unexceptionable, and the Hollands of singular merit, a dark-looking, thick-set man, in a greasy well-cut coat, with a shabby hat, cocked on one side of his dirty face, took the place opposite me, at the little marble table, and called for brandy. I did not much admire the impudence or the appearance of my friend, nor the fixed stare with which he chose to examine me. At last, he thrust a great greasy hand across the table, and said, “Titmarsh, do you forget your old friend Attwood?”

I confess my recognition of him was not so joyful as on the day ten years earlier, when he had come, bedizened with lace and gold rings, to see us at C—— school: a man in the tenth part of a century learns a deal of worldly wisdom, and his hand, which goes naturally forward to seize the gloved finger of a millionnaire, or a milor, draws instinctively back from a dirty fist, encompassed by a ragged wristband and a tattered cuff. But Attwood was in nowise so backward; and the iron squeeze with which he shook my passive paw, proved that he was either very affectionate or very poor. You, my dear sir, who are reading this history, know very well the great art of shaking hands: recollect how you shook Lord Dash’s hand the other day, and how you shook OFF poor Blank, when he came to borrow five pounds of you.

The Paris Sketch Book Of Mr. M. A. Titmarsh — Part 90

However, the genial influence of the Hollands speedily dissipated anything like coolness between us and, in the course of an hour’s conversation, we became almost as intimate as when we were suffering together under the ferule of old Swishtail. Jack told me that he had quitted the army in disgust; and that his father, who was to leave him a fortune, had died ten thousand pounds in debt: he did not touch upon his own circumstances; but I could read them in his elbows, which were peeping through his old frock. He talked a great deal, however, of runs of luck, good and bad; and related to me an infallible plan for breaking all the play-banks in Europe—a great number of old tricks;—and a vast quantity of gin-punch was consumed on the occasion; so long, in fact, did our conversation continue, that, I confess it with shame, the sentiment, or something stronger, quite got the better of me, and I have, to this day, no sort of notion how our palaver concluded.—Only, on the next morning, I did not possess a certain five-pound note which on the previous evening was in my sketch-book (by far the prettiest drawing by the way in the collection) but there, instead, was a strip of paper, thus inscribed:—

The Paris Sketch Book Of Mr. M. A. Titmarsh — Part 90