One summer Thomas Erastus moved--an event of considerable importance in his placid existence. He had to travel a short distance on the steam-cars; and worse, he needs must endure the indignity of travelling that distance in a covered basket. But his dignity would not suffer him to do more than send forth one or two mournful wails of protest. After being kept in his new house for a couple of days, he was allowed to go out and become familiar with his surroundings--not without fear and trepidation on the part of his doting mistress that he might make a bold strike for his former home. But Thomas Erastus felt he had a mission to perform for his race. He would disprove that mistaken theory that a cat, no matter how kindly he is treated, cares more for places than for people. Consequently he would not dream of going back to his old haunts.
No; he sat down in the front yard and took a long look at his surroundings, the neighboring lots, a field of grass, a waving corn-field. He had already convinced himself that the new house was home, because in it were all the old familiar things, and he had been allowed to investigate every bit of it and to realize what had happened. So after looking well about him he made a series of tours of investigation. First, he took a bee-line for the farthest end of the nearest vacant lot; then he chose the corn-field; then the beautiful broad grounds of the neighbor below; then across the street; but between each of these little journeys he took a bee-line back to his starting-point, sat down in front of the new house, and "got his bearings," just as evidently as though he could have said out loud, "This is my home and I mustn't lose it." In this way he convinced himself that where he lives is the centre of the universe, and that the world revolves around him. And he has since been as happy as a cricket,--yea, happier, for death and destruction await the unfortunate cricket where Thomas Erastus thrives.
But don't say a cat can't or won't be moved. It's your own fault if he won't.
Every observing reader of Mrs. Harriet Prescott Spofford's stories knows that she is fond of cats and understands them. Her heroines usually have, among other feminine belongings and accessories, one or more cats. "Four great Persian cats haunted her every footstep," she says of Honor, in the "Composite Wife." "A sleepy, snowy creature like some half-animated ostrich plume; a satanic thing with fiery eyes that to Mr. Chipperley's perception were informed with the very bottomless flames; another like a golden fleece, caressing, half human; and a little mouse-colored imp whose bounds and springs and feathery tail-lashings not only did infinite damage among the Venetian and Dresden knick-knackerie, but among Mr. Chipperley's nerves."