I suppose that the American stage is responsible for much of this. I do not go to the theatres, so I must take the evidence of the actors and managers of theatres, such as Mr. John Gilbert, Mr. A.M. Palmer, and Mr. Daniel E. Bandmann. They have recently told us that the crime of undress is blasting the theatre, which by many is considered a school of morals, and indeed superior to the Church, and a forerunner of the millennium. Mr. Palmer says: "The bulk of the performances on the stage are degrading and pernicious. The managers strive to come just as near the line as possible without flagrantly breaking the law. There never have been costumes worn on a stage of this city, either in a theatre, hall, or 'dive,' so improper as those that clothe some of the chorus in recent comic opera productions." He says in regard to the female performers: "It is not a question whether they can sing, but just how little they will consent to wear." Mr. Bandmann, who has been twenty-nine years on the stage, and before almost all nationalities, says: "I unhesitatingly state that the taste of the present theatre-going people of America, as a body, is of a coarse and vulgar nature. The Hindoo would turn with disgust at such exhibitions, which are sought after and applauded on the stage of this country. Our shop windows are full of and the walls covered with show cards and posters which should be a disgrace to an enlightened country and an insult to the eye of a cultured community." Mr. Gilbert says: "Such exhibition is a disastrous one to the morals of the community. Are these proper pictures to put out for the public to look at, to say nothing of the propriety of females appearing in public dressed like that? It is shameful!"
I must take the testimony of the friends of the theatre and the confirmation which I see on the board fences and in the show windows containing the pictures of the way actresses dress. I suppose that those representations of play-house costume are true, for if they are not true, then those highly moral and religious theatres are swindling the public by inducing the people to the theatre by promises of spectacular nudity which they do not fulfill. Now, all this familiarizes the public with such improprieties of costume and depresses the public conscience as to what is allowable and right.