In the Middle Ages, at the time when most of the wealth went to the Popes of Avignon, the city had fallen into pitiful decay. The majestic St Peter's was threatened by destruction through lack of repair; the Capitol was described as on a level with "a town of cowherds."
The monarchy of Rome is said to have endured for about two hundred and forty years. The city extended then over a wide area, and was protected by walls and towers. The Coliseum, the Pantheon, and the Forum were built as Rome grew in might and magnificence, and the Roman style of architecture became a model for the world. Happily these structures have survived. The Rome of pagan days and the Rome of the Renaissance are mingled here strangely, and the pomp and affluence of former times contrasts with the poverty of to-day that meets us in the streets.
Note the faces of the people; here are features stern and regular, recalling often old prints of the Romans of history. The dress of the poorer women is ancient, while that of the upper classes is as modern as the costumes of Paris, Berlin, or London. On days of fête it is interesting to watch these people at play, all animated with a southern gaiety which the northerner may envy. The life of Rome is outdoor; folk loiter and congregate in the streets; there is much traffic of vehicles used for pleasure. Over the city stretches "the Italian sky," ardently blue--the sky that we know from paintings before we have visited Rome--and upon the white buildings shines a hot sun from which we shrink in midsummer noons.
It is hard to decide which appeals to us the more strongly in Rome--the relics of Cæsar's empire or the art of the Middle Ages. The Coliseum brings to mind "the grandeur that was Rome," in the days of the pagan majesty, while St Peter's, with its wealth of gorgeous decoration and great paintings, reminds us of the supreme power of the city under the popes.
In the Coliseum there is social history written in stone. We look upon the tiers rising one above the other, and picture them in all the splendour of a day of cruel carnival. We may see traces of the lifts that brought the beasts to the arena from the dens below.
_Ad leones!_ The trumpet blares, and a victim of the heretical creed is led into the amphitheatre to encounter the lions. How often has this soil been drenched in blood. How often have the walls echoed with the plaudits of the Roman populace, gloating upon a spectacle of torture, or aroused to ecstasy by the combats of gladiators.