Sir John Mandeville mentions the Cypress in a very curious way: "The Cristene men, that dwellen beyond the See, in Grece, seyn that the tree of the Cros, that we callen Cypresse, was of that tree that Adam ete the Appule of; and that fynde thei writen" ("Voiage," &c., cap. 2). And the old poem of the "Squyr of lowe degre," gives the tree a sacred pre-eminence--

"The tre it was of Cypresse, The fyrst tre that Iesu chese."

The plant-lore & garden-craft of Shakespeare — Part 47

RITSON'S _Ear. Eng. Met. Romances_, viii. (31).

The plant-lore & garden-craft of Shakespeare — Part 47

"In the Arundel MS. 42 may be found an alphabet of plants. . . . The author mentions his garden 'by Stebenhythe by syde London,' and relates that he brought a bough of Cypress with its Apples from Bristol 'into Estbritzlond,' fresh in September, to show that it might be propagated by slips."--_Promptorium Parvulorum_, app. 67.

The plant-lore & garden-craft of Shakespeare — Part 47

The Cypress is an ornamental evergreen, but stiff in its growth till it becomes of a good age; and for garden purposes the European plant is becoming replaced by the richer forms from Asia and North America, such as C. Lawsoniana, macrocarpa, Lambertiana, and others.

[71:1] Cypress, or Cyprus (for the word is spelt differently in the different editions), is also mentioned by Shakespeare in the following--

To one of your receiving Enough is shown; and Cyprus, not a bosom, Hides my poor heart.

Lawn as white as driven snow, Cyprus, black as e'er was crow.

But in all these cases the Cypress is not the name of the plant, but is the fabric which we now call crape, the "sable stole of Cypre's lawn" of Milton's "Penseroso."

When Daffodils begin to peer, With heigh! the doxy o'er the dale, Why, then comes in the sweet o' the year.

Daffodils That come before the swallow dares, and take The winds of March with beauty.

With chaplets on their heads of Daffodillies.

Of all English plants there have been none in such constant favour as the Daffodil, whether known by its classical name of Narcissus, or by its more popular names of Daffodil, or Daffadowndilly, and Jonquil. The name of Narcissus it gets from being supposed to be the same as the plant so named by the Greeks first and the Romans afterwards. It is a question whether the plants are the same, and I believe most authors think they are not; but I have never been able to see very good reasons for their doubts. The name Jonquil comes corrupted through the French, from _juncifolius_ or "rush-leaf," and is properly restricted to those species of the family which have rushy leaves. "Daffodil" is commonly said to be a corruption of Asphodel ("Daffodil is Ασφοδελον, and has capped itself with a letter which eight hundred years ago did not belong to it."--COCKAYNE, _Spoon and Sparrow_, 19), with which plant it was confused (as it is in Lyte's "Herbal"), but Lady Wilkinson says very positively that "it is simply the old English word 'affodyle,'[73:2] which signifies 'that which cometh early.'" "Daffadowndilly," again is supposed to be but a playful corruption of "Daffodil," but Dr. Prior argues (and he is a very safe authority) that it is rather a corruption of "Saffron Lily." Daffadowndilly is not used by Shakespeare, but it is used by his contemporaries, as by Spenser frequently, and by H. Constable, who died in 1604--