Accordingly, we sought the drawing-room, the same in which the beautiful Hungarian had uttered her curious warning to me earlier in the evening. She was seated in the same chair that she had then occupied, and on entering, Pharos, still carrying the monkey in his arms, crossed and patted her hand in a grand-fatherly fashion. Kindly, however, as the action appeared to be, I noticed that she trembled beneath it.

"I have assured Mr. Forrester, my dear Valerie," he said, "that the odour of tobacco is not distasteful to you, and that you will permit him to smoke a cigarette in your presence. Was I not right?"

Pharos, The Egyptian — Part 65

"Of course I will give permission," she answered, but never had I heard her voice so cold and monotonous. It was as if she were repeating something under compulsion. At any other time I should have declined to avail myself of what I could not help thinking was permission grudgingly given; but since Pharos insisted, and the Fräulein begged me to do so, I at length consented and made a further raid upon the case. As soon as he had seen the cigarette lighted and myself comfortably seated, Pharos installed himself in an armchair, while his ward wrapped the inevitable rug about his knees. Having done this she took her violin from its case, and, when she had tuned it, took up her position and commenced to play. I had still the same feeling, however, that she was doing it under compulsion, but how that force was being exerted, and for what reason, was more than I could tell. Once more the same gentle languor I had felt at the dinner-table began to steal over me and again my senses became abnormally acute. Under the influence of the music, new ideas, new inspirations, new dreams of colour, crowded upon me thick and fast. In the humour in which I was then, I felt that there was nothing I could not do, no achievement of which I was not capable. What I had done in the past was as nothing compared with what I would do in the future. With this man's help I would probe the very heart of Wisdom and make myself conversant with her secrets. Through half-closed eyes I could see the violinist standing before me, and it was as if her white hands were beckoning me along the road of Fame. I turned from her to Pharos, and found him still seated in his chair with his eyes fixed steadfastly upon me. Then the cigarette came to an end, the music ceased, and with a choking sob the violinist, unable to control herself any longer, fled from the room. I sprang to my feet and hastened to open the door for her, but was too late. She was gone.

Pharos, The Egyptian — Part 65