Tolstoi, on the other hand, keeps his eyes on the object, and sets himself to describe the story of "Lear" "as impartially as possible." He says of the first scene:
"Not to mention the pompous, characterless language of King Lear, the same in which all Shakespeare's kings speak, the reader or spectator cannot conceive that a king, however old and stupid he may be, could believe the words of the vicious daughters with whom he had passed his whole life, and not believe his favourite daughter, but curse and banish her; and therefore, the spectator or reader cannot share the feelings of the persons participating in this unnatural scene."
He goes on to condemn the scene between Gloucester and his sons in the same way. The second act he describes as "absurdly foolish." The third act is "spoiled, by the characteristic Shakespearean language." The fourth act is "marred in the making," and of the fifth act, he says: "Again begin Lear's awful ravings, at which one feels ashamed, as at unsuccessful jokes." He sums up in these words:
"Such is this celebrated drama. However absurd it may appear in my rendering (which I have endeavoured to make as impartial as possible), I may confidently say that in the original it is yet more absurd. For any man of our time--if he were not under the hypnotic suggestion that this drama is the height of perfection--it would be enough to read it to its end (were he to have sufficient patience for this) in order to be convinced that, far from being the height of perfection, it is a very bad, carelessly-composed production, which, if it could have been of interest to a certain public at a certain time, cannot evoke amongst us anything but aversion and weariness. Every reader of our time who is free from the influence of suggestion will also receive exactly the same impression from all the other extolled dramas of Shakespeare, not to mention the senseless dramatized tales, 'Pericles,' 'Twelfth Night,' 'The Tempest,' 'Cymbeline,' and 'Troilus and Cressida.'"
Every one must admit, I think, that what Tolstoi has said of the hypothesis of the play is justified. Shakespeare, as I have shown, was nearly always an indifferent playwright, careless of the architectural construction of his pieces, contemptuous of stage-craft. So much had already been said in England, if not with the authority of Tolstoi.