In St Mark's Place three standards you descry, And chargers four that seem about to fly; There is a time-piece which appears a tower, And there are twelve black men who strike the hour.

Social prejudices creep in where politics are almost excluded. A group of _Vilote_ relates to the feud--old as Venice--between the islanders of San Nicolo and the islanders of Castello, the two sections of the town east of the Grand Canal, in the first of which stands St Mark's, in the last the arsenal. The best account of the two factions is embodied in an ancient poem celebrating the fight that rendered memorable St Simon's Day, 1521. The anonymous writer tells his tale with an impartiality that might be envied by greater historians, and he ends by putting a canto of peaceable advice into the mouth of a dying champion, who urges his countrymen to dwell in harmony and love one another as brothers. Are they not made of the same flesh and bone, children alike of St Mark and his State?

Essays in the Study of Folk-Songs (1886) — Part 78

Tuti a la fin no semio patrioti, Cresciu in sti campi, ste cale e cantoni?

Essays in the Study of Folk-Songs (1886) — Part 78

The counsel was not taken, and the old rivalry continued unabated, fostered up to a certain point by the Republic, which saw in it, amongst other things, a check on the power of the patricians. The two sides represented the aristocratic and democratic elements of the population: the Castellani had wealth and birth and fine palaces, their upper classes monopolised the high offices of State, their lower classes worked in the arsenal, served as pilots to the men-of-war, and acted as rowers in the Bucentaur. The better-to-do Nicoloti came off with a share of the secondary employs, whilst the larger portion of the San Nicolo folk were poor fishermen. But their sense of personal dignity was intense. They had a doge of their own, usually an old sailor, who on high days and holidays sat beside the "renowned prince, the Duke of Venice." This doge, or _Gastaldo dei Nicoloti_, was answerable for the conduct of his people, of whom he was at once superior and equal. "Ti voghi el dose et mi vogo col dose" ("You row the doge, I row with the doge"), a Nicoloto would say to his rival. It is easy to see how the party spirit engendered by the old feud produced a sentiment of independence in even the poorest members of the community, and how it thus became of great service to the Republic. Its principal drawback was that of leading to hard blows, the last occasion of its doing so being St Simon's Day, 1817, when a fierce local outbreak was severely suppressed by the Austrians. Since then the contending forces have agreed to dwell in harmony; whether they love one another as brothers is not so clear. There are songs still sung in which mutual recrimination takes the form of too strong language for ears polite. "If a Nicoloto is born, a Count is born; if a Castellan is born--set up the gallows," is the mildest dictum of a son of San Nicolo, to which his neighbour replies, "When a Castellan is born, a god is born; when a Nicoloto is born, a brigand is born." The feud lingers on even in the matter of love. "Who is that youth who passes so often?" inquires a girl; "if it be a Castellan, bid him be off; if it be a Nicoloto, bid him come in."

Essays in the Study of Folk-Songs (1886) — Part 78