I was thunderstruck, and as immovable as one of my clay compatriots at my side: but the _danseuse_ smiled charmingly, and without interrupting her embroidery work, she said with a _sang froid_ sublime,

“Ah! good morning, dear doctor—you are very good to favor us so early with a visit—look around and see if you cannot find something here to your taste. Your god-daughter has the small-pox—she asks for her god-father every day—the dear little Dileri!”

Graham's Magazine, Vol. XXXIV, No. 3, March 1849 — Part 39

I crossed my arms upon my breast and shook my head—a pantomime which I have remarked in a drama at the Theatre Ambigu means “what infamy!”

Graham's Magazine, Vol. XXXIV, No. 3, March 1849 — Part 39

Mademoiselle cast a sidelong glance at me—shrugged her shoulders, and biting off a scarlet thread with her teeth, said—

Graham's Magazine, Vol. XXXIV, No. 3, March 1849 — Part 39

“By the bye, dear doctor, I am married now—I have been a wife fifteen days—Madame Telamon, at your service. I will introduce you to my husband—a very handsome man—you would scarcely reach to his waist even if you raised yourself upon your toes. Hold! here he is!”

I saluted her hastily, and left the shop furiously angry, the more so that I was obliged to conceal my rage. A single glance I gave toward the husband—real or false—sufficed for me to recognize the pretended decorator at the opera, who came to my box to invite my judgment upon his Chinese kiosque. That I had been the victim of a regular conspiracy was very evident—resignation was my only resource.

A fortnight afterward I assumed a disguise, and had the weakness to go and promenade before the shop in the evening twilight, to catch a last glimpse of the unworthy object of my idolatry.

The colossal husband was brushing the dust from a mandarin in porcelain, and I heard him murmur,

“If that Doctor Sian Seng should attempt to set his foot inside my door again, I’ll choke him, pack him in straw, and sell his carcass to the doctors for fifteen louis!”

Oh no! I shall never see this beautiful monster again; I have the resolution of a man and of a philosopher; I will fulfill my mission to the end, and will again make myself worthy of you, oh! holy city, which the silver moon illumines so caressingly when from the top of Mount Tyryathon she hangs like a lantern of silk from Nanking!

In Paris there are physicians who devote themselves entirely to specific diseases; there are some who treat only infants at the breast; others, after weaning; others who prescribe only for those of sixty and above of it. Bills are stuck up at the corners of all the streets, and advertisements in the newspapers, proclaiming a thousand infallible receipts for the six hundred maladies which the celebrated Pi-ké has found to germinate in the human body. They have discovered amongst other curious things in physics, how to put a new nose upon faces unfortunately deprived of that ornament, and to elongate it when too short. They make teeth of ivory for old men—hair for the bald—legs for those who have lost them—eyes for the blind—tongues for the dumb—ears for the deaf—brains for fools—and have wonderful methods to resuscitate the dead. But they forgot to invent one remedy—a cure for disappointed love! In China we know nothing about love; that passion was first discovered in France, by a troubadour called Raymond—for five hundred years it has ravaged fearfully. It is estimated that eleven millions seven hundred and thirty-eight persons have fallen victims to it, through assassinations, languishing death, and suicide, caused by this scourge of the human race—that amounts to double the number of victims of cholera in Asia since the reign of Aurengzebé. The French government have never taken any means to stop the progress of this epidemic, on the contrary, it pays largely toward the support of four royal theatres, where they celebrate the power of love and another mortal disease called champagne. Mr. Scribe has made a fortune of five hundred thousand francs a year, by celebrating the delights of love and champagne for the governmental theatres.